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  1. 2013
  2. Built Architecture for Music: Spaces for Chamber Music in Sixteenth-Century Italy

    Moretti, L. 2013 The Routledge Companion of Music and Visual Culture. Routledge, p. 281-285 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Palladio’s patrons and music: Connections between cultural interests and architecture: the Villa Pisani at Bagnolo

    Moretti, L. 2013 Architecture, Art and Identity in Venice and its Territories, 1450–1750: Essays in Honour of Deborah Howard. Aldershot: Ashgate Publishing Ltd, p. 127-138 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. The Sound of Venice

    Moretti, L. 2013 Renaissance Studies in Honor of Joseph Connors. Florence: Leo S. Olschki Editore, p. 358-363 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. 2012
  6. Architectural Spaces for Music: Jacopo Sansovino and Adrian Willaert at St Mark’s

    Moretti, L. 2012 Sacred and Liturgical Renaissance Music. Kirkman, A. (ed.). Aldershot: Ashgate Publishing Ltd, p. 291-322

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Il concetto di proporzione nell’Idea dell’Architettura Universale di Vincenzo Scamozzi (1615)

    Moretti, L. 2012 Proportions. Science, Musique, Peinture & Architecture. Rommevaux, S., Vendrix, P. & Zara, V. (eds.). Brepols, p. 425-442 (Études Renaissantes).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Le chiese di Giordano Riccati

    Moretti, L. 2012 Giordano Riccati. Illuminista veneto ed europeo. Bonsi, D. (ed.). Florence: Leo S. Olschki Editore, p. 123-131 (Collana Studi di Musica veneta).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Sound and Space in Renaissance Venice

    Moretti, L. 2012 Rhythmus. Harmonie. Proportion.: Zum Verhaltnis von Architektur und Musik. Brandt, S. & Gottdang, A. (eds.). Worms: Wernersche Verlagsgesellschaft, p. 87-90

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Spaces for musical performance in the d’Este court in Ferrara (c.1440-1540)

    Moretti, L. 2012 The Music Room in Early Modern France and Italy: Sound, Space and Object. Howard, D. & Moretti, L. (eds.). Oxford: Oxford University Press, p. 213-236 (Proceedings of the British Academy).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. The Music Room in Early Modern France and Italy: Sound, Space and Object

    Howard, D. (ed.) & Moretti, L. (ed.) 2012 Oxford: Oxford University Press. 355 p. (Proceedings of the British Academy).

    Research output: Book/ReportBook

  12. 2011
  13. Gritti, Sansovino e Willaert: il nuovo volto del palcoscenico marciano

    Moretti, L. 2011 Le architetture di Orfeo: Musica e architettura tra Cinquecento e Settecento. Amendolagine, F. (ed.). Lugano & Milan: Giampiero Casagrande editore, p. 21-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

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