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Research at St Andrews

Michael Cowan

Person

Michael Cowan
Postal address:
School of Philosophical
Anthropological & Film Studies
Film Studies
99 North Street St Andrews
United Kingdom

Email: mc258@st-andrews.ac.uk

Direct phone: +44 (0)1334 467463

Research overview

Michael Cowan (homepage) is a film and media historian, as well as a Germanist, specializing in European film and modernism in the early 20th century. He joined the Department of Film Studies in 2015 following previous appointments at McGill University in Canada and the University of Virginia in the US. He holds a BA in Cultural Studies, an MA in French Literature and a Ph.D. in German Studies from the University of California-Berkeley. 

Professor Cowan is known in particular as a leading authority on Weimar film and culture. His research on Weimar cinema has received many of the top academic awards in the discipline in North America and Europe, as well as major funding from organizations such as SSHRC, FQRSC, Canadian Foundation for Innovation, Alexander von Humboldt Foundation and the British Academy.

He has been an invited speaker at universities and conferences around the world and a fellow and a visiting scholar at institutions such as the Institut für Kulturwissenschaften (Vienna) and Cinepoetics (Berlin). While at McGill, he co-founded the Programme in World Cinemas and served as founding director of the Moving Image Research Laboratory. He has also served Chair of Film Studies at St Andrews.

He sits on the executive committees of NECS (European Network of Cinema Studies) and Domitor (International Society for the Study of Early Cinema), as well as the German Screen Studies Network. He is also a member of the editorial boards of Intermédialités (Canada)and Forum for Modern Language Studies (UK).

PhD research projects available

I supervise a wide range of topics in film and media history. Particular interests include media history and media archaeology, early cinema and early film theory, German and/or French cinema, 'useful' cinema (advertising, education, science film), film and visual culture, film magazines, experimental cinema, digital cinema and media (especially when there is a historical dimension).

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