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Decadence and music

Research output: Chapter in Book/Report/Conference proceedingChapter

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  • Embargoed (until 1/02/20)

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Abstract

The idea of decadent music may be as old as music itself, dating back at least to classical antiquity. This chapter offers a history of the concept from the classical period through the Middle Ages, the Renaissance, and the eighteenth century, before concentrating on the explosion of the idea across Europe from the mid-nineteenth century onwards. Classical writings often invoke a model of music that can be understood as proto-decadent ? for which read morally ‘bad’, formally flawed, hyper-affective, enervating, or corrupting in some way ? even if the term itself is not used. Then, as later, decadent music was perceived and defined by its effect on its listeners or by its formal properties, as Nietzsche understood Wagnerian opera in the nineteenth century. Music, it seems, has always been understood to contain the potential to disrupt and contaminate itself and its audience, requiring aesthetic, social, even state control ? control articulated via the idea of decadence.
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Details

Original languageEnglish
Title of host publicationDecadence and Literature
EditorsJane Desmarais, David Weir
Place of PublicationCambridge UK
PublisherUniversity of Cambridge Press
Chapter9
Pages152-168
Volume1
ISBN (Electronic)9781108550826
ISBN (Print)9781108426244
DOIs
Publication statusPublished - 1 Aug 2019

Publication series

NameCambridge Critical Concepts
PublisherCambridge University Press

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ID: 255732540

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