In his fictional recreation of the People’s Temple massacre, Jonestown, Harris presents us with a protagonist who counter-actualizes the trauma that wounds him, living creatively out of the event and constructing an alternative present-future. Drawing on Deleuzian philosophy, this essay argues for a re-conceptualization of Jonestown in terms that evoke not only Deleuze’s philosophy of time and immanence but also his distinction, via Nietzsche, between active and reactive forces. By means of a character (Francisco Bone) who embraces the power of transformation, creation and difference-in-itself, Harris demonstrates the value of active forces that do not depend on external recognition or dialectical negation in order to be for a postcolonial philosophy of the imagination.