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TheoArtistry, and a contemporary perspective on composing sacred choral music

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TheoArtistry, and a contemporary perspective on composing sacred choral music. / Corbett, George.

In: Religions, Vol. 7, No. 1, 7, 28.12.2017.

Research output: Research - peer-reviewArticle

Harvard

Corbett, G 2017, 'TheoArtistry, and a contemporary perspective on composing sacred choral music' Religions, vol 7, no. 1, 7. DOI: 10.3390/rel9010007

APA

Corbett, G. (2017). TheoArtistry, and a contemporary perspective on composing sacred choral music. Religions, 7(1), [7]. DOI: 10.3390/rel9010007

Vancouver

Corbett G. TheoArtistry, and a contemporary perspective on composing sacred choral music. Religions. 2017 Dec 28;7(1). 7. Available from, DOI: 10.3390/rel9010007

Author

Corbett, George. / TheoArtistry, and a contemporary perspective on composing sacred choral music. In: Religions. 2017 ; Vol. 7, No. 1.

Bibtex - Download

@article{54c1f3b270a0456483e6a1b586117530,
title = "TheoArtistry, and a contemporary perspective on composing sacred choral music",
abstract = "This article presents the methodology and research underpinning the TheoArtistry Composers’ Scheme, a project based in ITIA (the Institute for Theology, Imagination and the Arts), School of Divinity, University of St Andrews (2016-17). I analyse Sir James MacMillan’s theology of music, outline some practical and theoretical issues that arose in setting up theologian-composer partnerships, and reflect critically on the six new works of sacred choral music that emerged (these are printed as an appendix). The article assesses the implications of such collaboration for future work at the interface between theology and music, and between theology and the arts more generally.",
keywords = "Sacred music, Choral music, Composition, Theology, TheoArtistry, Annunciation, Hebrew Bible, James MacMillan, Michael Symmons Roberts, Jeremy Begbie",
author = "George Corbett",
year = "2017",
month = "12",
doi = "10.3390/rel9010007",
volume = "7",
journal = "Religions",
issn = "2077-1444",
publisher = "MDPI",
number = "1",

}

RIS (suitable for import to EndNote) - Download

TY - JOUR

T1 - TheoArtistry, and a contemporary perspective on composing sacred choral music

AU - Corbett,George

PY - 2017/12/28

Y1 - 2017/12/28

N2 - This article presents the methodology and research underpinning the TheoArtistry Composers’ Scheme, a project based in ITIA (the Institute for Theology, Imagination and the Arts), School of Divinity, University of St Andrews (2016-17). I analyse Sir James MacMillan’s theology of music, outline some practical and theoretical issues that arose in setting up theologian-composer partnerships, and reflect critically on the six new works of sacred choral music that emerged (these are printed as an appendix). The article assesses the implications of such collaboration for future work at the interface between theology and music, and between theology and the arts more generally.

AB - This article presents the methodology and research underpinning the TheoArtistry Composers’ Scheme, a project based in ITIA (the Institute for Theology, Imagination and the Arts), School of Divinity, University of St Andrews (2016-17). I analyse Sir James MacMillan’s theology of music, outline some practical and theoretical issues that arose in setting up theologian-composer partnerships, and reflect critically on the six new works of sacred choral music that emerged (these are printed as an appendix). The article assesses the implications of such collaboration for future work at the interface between theology and music, and between theology and the arts more generally.

KW - Sacred music

KW - Choral music

KW - Composition

KW - Theology

KW - TheoArtistry

KW - Annunciation

KW - Hebrew Bible

KW - James MacMillan

KW - Michael Symmons Roberts

KW - Jeremy Begbie

U2 - 10.3390/rel9010007

DO - 10.3390/rel9010007

M3 - Article

VL - 7

JO - Religions

T2 - Religions

JF - Religions

SN - 2077-1444

IS - 1

M1 - 7

ER -

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ID: 251801737