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Research at St Andrews

Towards Another '-Image': Deleuze, Narrative Time and Popular Indian Cinema

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Author(s)

David Martin-Jones

School/Research organisations

Abstract

Popular Indian cinema provides a test case for examining the limitations of Gilles Deleuze's categories of movement-image and time-image. Due to the context-specific aesthetic and cultural traditions that inform popular Indian cinema, although it appears at times to be both movement- and time-image, it actually creates a different type of image. Analysis of Toofani Tarzan (1936) and Dilwale Dulhania Le Jayenge (1995) demonstrates how, alternating between a movement of world typical of the time-image, and a sensory-motor movement of character typical of the movement-image, popular Indian cinema explores the potential fluxing of identities that emerge during moments of historical complexity.
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Details

Original languageEnglish
Pages (from-to)25-48
JournalDeleuze Studies
Volume2
Issue number1
DOIs
Publication statusPublished - Jun 2008

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