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Towards Another '-Image': Deleuze, Narrative Time and Popular Indian Cinema

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Towards Another '-Image' : Deleuze, Narrative Time and Popular Indian Cinema. / Martin-Jones, David.

In: Deleuze Studies, Vol. 2, No. 1, 06.2008, p. 25-48.

Research output: Contribution to journalArticlepeer-review

Harvard

Martin-Jones, D 2008, 'Towards Another '-Image': Deleuze, Narrative Time and Popular Indian Cinema', Deleuze Studies, vol. 2, no. 1, pp. 25-48. https://doi.org/10.3366/E1750224108000147

APA

Martin-Jones, D. (2008). Towards Another '-Image': Deleuze, Narrative Time and Popular Indian Cinema. Deleuze Studies, 2(1), 25-48. https://doi.org/10.3366/E1750224108000147

Vancouver

Martin-Jones D. Towards Another '-Image': Deleuze, Narrative Time and Popular Indian Cinema. Deleuze Studies. 2008 Jun;2(1):25-48. https://doi.org/10.3366/E1750224108000147

Author

Martin-Jones, David. / Towards Another '-Image' : Deleuze, Narrative Time and Popular Indian Cinema. In: Deleuze Studies. 2008 ; Vol. 2, No. 1. pp. 25-48.

Bibtex - Download

@article{cb8d0e3e811e4809adde50b2c8168f88,
title = "Towards Another '-Image': Deleuze, Narrative Time and Popular Indian Cinema",
abstract = "Popular Indian cinema provides a test case for examining the limitations of Gilles Deleuze's categories of movement-image and time-image. Due to the context-specific aesthetic and cultural traditions that inform popular Indian cinema, although it appears at times to be both movement- and time-image, it actually creates a different type of image. Analysis of Toofani Tarzan (1936) and Dilwale Dulhania Le Jayenge (1995) demonstrates how, alternating between a movement of world typical of the time-image, and a sensory-motor movement of character typical of the movement-image, popular Indian cinema explores the potential fluxing of identities that emerge during moments of historical complexity.",
author = "David Martin-Jones",
year = "2008",
month = jun,
doi = "10.3366/E1750224108000147",
language = "English",
volume = "2",
pages = "25--48",
journal = "Deleuze Studies",
issn = "1750-2241",
number = "1",

}

RIS (suitable for import to EndNote) - Download

TY - JOUR

T1 - Towards Another '-Image'

T2 - Deleuze, Narrative Time and Popular Indian Cinema

AU - Martin-Jones, David

PY - 2008/6

Y1 - 2008/6

N2 - Popular Indian cinema provides a test case for examining the limitations of Gilles Deleuze's categories of movement-image and time-image. Due to the context-specific aesthetic and cultural traditions that inform popular Indian cinema, although it appears at times to be both movement- and time-image, it actually creates a different type of image. Analysis of Toofani Tarzan (1936) and Dilwale Dulhania Le Jayenge (1995) demonstrates how, alternating between a movement of world typical of the time-image, and a sensory-motor movement of character typical of the movement-image, popular Indian cinema explores the potential fluxing of identities that emerge during moments of historical complexity.

AB - Popular Indian cinema provides a test case for examining the limitations of Gilles Deleuze's categories of movement-image and time-image. Due to the context-specific aesthetic and cultural traditions that inform popular Indian cinema, although it appears at times to be both movement- and time-image, it actually creates a different type of image. Analysis of Toofani Tarzan (1936) and Dilwale Dulhania Le Jayenge (1995) demonstrates how, alternating between a movement of world typical of the time-image, and a sensory-motor movement of character typical of the movement-image, popular Indian cinema explores the potential fluxing of identities that emerge during moments of historical complexity.

U2 - 10.3366/E1750224108000147

DO - 10.3366/E1750224108000147

M3 - Article

VL - 2

SP - 25

EP - 48

JO - Deleuze Studies

JF - Deleuze Studies

SN - 1750-2241

IS - 1

ER -

Related by journal

  1. Deleuze Studies (Journal)

    David Martin-Jones (Member of editorial board)

    2011

    Activity: Publication peer-review and editorial work typesEditor of research journal

Related by journal

ID: 349998

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